Showing posts with label Supernatural. Show all posts
Showing posts with label Supernatural. Show all posts

My Big Fat Supernatural Wedding

Sunday, July 15, 2012
Edited by P.N. Elrod

This anthology contains nine stories of weddings and the supernatural. Contributing authors include Charlaine Harris, Jim Butcher, Rachel Caine and Susan Krinard. I'd characterize most of the stories as bodice-rippers with occult touches.
Liked:
Something Borrowed,
by Jim Butcher
It's not Harry Dresden's wedding but rather that of Billy and Georgia, leaders of the local werewolf pack. However, on the day of the wedding, the bride seems to have gone missing … or has she?


Tacky,
by Charl
aine Harris
This is both funny and topical. Dahlia, a centuries-old vampire, is researching non-magical folks' weddings for her friend's upcoming nuptials ("There was a cage full of doves …. Perhaps they were intended for a ritual sacrifice?") But her friend is also a vampire, and the biggest roadblock to the wedding is something no amount of research can help: it's a mixed wedding … the groom is a werewolf. To say the two groups are not overly fond of each other is an understatement. Imagine a Hatfield/McCoy wedding and you get the overall ambience. Then too, vampires are out of the coffin, so to speak, but werewolves are still … in the woods? Basically, non-magical folk are aware of the existence of vampires but not of werewolves. So to the non-magical population, this looks like a marriage between a vampire and a mortal — which is absolutely illegal. And there are fanatics — from each of the three groups, it seems — who will stop at nothing to see that the wedding doesn't happen.

…Or Forever Hold Your Peace,
by Susan Krinard
This is set in Victorian England — but not the one in your history books. Here, lands and riches and titles are not the only things handed down — so too are magical abilities. But unlike other inheritances, Talent does not necessarily go to the firstborn. (Also, children can inherit a "Residual" form of a magical talent from a parent.)
Wild Magic is something else; it is "not quite respectable," carrying as it does "the stigma of illegitimacy and the Cymry and Eirish rebellions …."
As the story opens, a man interrupts a wedding at the "if anyone here can show just cause" point. He stops abruptly, visibly terrified, and runs from the church. The guests hear a scream and then silence. Everyone pours out of the church to find the man lying dead at the foot of the steps. Shortly thereafter the bride disappears.
This brings the distressed groom to Lady Olivia Dowling and her friend, Christopher ("Kit") Meredith, to help find the bride — and find out what's going on. Olivia is a respected member of society; she carries some "Residual" talent and is the most likely heir to her grandmother's Talent. Kit is from the less respectable side of the magical tracks: he is a shapeshifter who can turn into "Old Shuck" (a ghostly black dog said to roam the Norfolk, Essex and Suffolk coastline).
This was my favourite story among the nine. I like alternative histories to begin with; the people were believable, and the end has a neat twist to it. There was also a refreshing lack of purple prose. A quick Internet search indicates Krinard has written only two short stories based on Lady Dowling and Kit. I hope she writes more.

Didn't Much Like:
Spellbound,
by
L.A. Banks
This story would have been better if the author had not used dialect throughout the story. Dialect is one of those things in which less is more, in my opinion. Too much and you risk making the story more work than it's worth -- or just plain annoying. I realize there is a whole world of different styles of English out there -- but please, any author writing for the mass market should make a serious attempt to write most of his/her story in fairly standard English.

All Shook Up,
by P.N. Elrod
I must confess that I gave up a few pages into this story. I am not an Elvis Presley fan. I can only take Presley and Presley-mania in very small doses and don't by any means consider him to be the ultimate sex symbol of all time. The story's narrator would obviously disagree with me.



Prom Nights from Hell

Friday, June 29, 2012
Fantasy anthology -- no editor listed

This book fell into my hands by a fluke: a fellow volunteer at a local thrift shop was worried about putting it on the shelves because of the word 'Hell' in the
title. So I took it home to check it out. Strictly research, I swear.
On the other hand, it was easy enough for someone who already reads fantasy to guess there would be nothing too gross or horrible in this book -- one of the five contributing authors is Stephenie Meyer, author of the wildly popular Twilight series. The other authors are Meg Cabot, Kim Harrison, Michele Jaffe and Laurene Myracle.

DEFINITELY LIKED:
Madison Avery and the Dim Reaper,
by Kim Harrison.
Right off the start … gotta love the title.
In this story, Madison is hovering somewhere between life and death (though the living can still see her -- at least, her father certainly can) after a mysterious hunk named Seth Adamson deliberately crashes the car they are both in. Seth, who has targeted her specifically, then steals her body from the morgue and disappears with it. Meanwhile she has stolen a pendant off him. She has some allies in this new limbo and she has one year to sort things out. Or else. (Nobody specifies "or else" what, which makes it even more unnerving.)

Kiss and Tell, by Michele Jaffe.
Jaffe's heroine, Miranda, has some odd superpowers that nobody can explain and which she tries to minimize. She also plays jammer on a local roller derby team and has a parttime job as a chauffeur with a mom-and-pop limousine company. In the story she finds herself chauffeuring what appears to be a wonky 14-year-old with a fixation on early Madonna dress style. Not surprisingly this is no ordinary 14-year-old. In fact, she's not even human -- and there are other nonhumans after her. The trick is for Miranda to figure out whom she can trust while trying to get Sibby to her proper destination.

I liked them both for the same reason: when I reached the end of each, my reaction was "HEY! WHERE'S THE REST OF THE STORY??" Both have very ambiguous endings and were interesting and well-written enough that I really, really hope Harrison and Jaffe have completed versions out there somewhere, dammit, because I want to know more about Miranda and I definitely want to know what happens to Madison after that year is up!

... OK ...:
The Corsage, by Laurene Myracle, is immediately recognizable to anybody who has read The Monkey's Paw by W.W. Jacobs. To the author's credit, she says as much in a very brief intro to the story. It has its own creepy "Be careful what you wish for" factor, as well as some rather gruesome humour.

Meg Cabot's The Executioner's Daughter is about a girl named Mary who just happens to be tracking Dracula's son. She wants to kill him to bring the elder Dracula out in the open so she can kill him -- because Dracula Sr. turned her mother into one of the undead and this is the only way to turn her back. Despite the premise, it's ... just OK.

Stephenie Meyer's Hell on Earth follows Sheba (full name Chex Sheba aut Baal-Malphus), who is a demoness. She's slinking through the prom crowd, causing small problems intended to help set the mental tone for larger ones. With the aid of a rather nasty piece of humanity -- ironically named Celeste -- she is spreading misery, jealousy, anger and lust in waves that are building towards -- she hopes -- an explosive crest (under her mental prodding, one wimpy little nerd has brought a gun to the dance). There are some interesting points and the writing's not bad but when you learn, early on, that the primary male character is named Gabe Christensen, well, there's not much subtlety there -- especially when you find out his middle name is Michael.

Cabot's and Meyers's stories end on the obligatory happy-ever-after note -- though Meyers's ending isn't quite as as solidly fixed as Cabot's. There's room for a little bit of doubt -- but to be honest, not enough to provide any real ambiguity.

Kitty Goes to War

Friday, March 4, 2011
A series by Carrie Vaughn

Kitty Norville is the host of The Midnight Hour, a radio call-in show.
She's also an alpha werewolf.
I'd never heard of this series before I picked this up but would like to read more. This particular novel is especially intriguing because it's timely: someone is creating werewolf soldiers to fight in Afghanistan -- and some of them have gone rogue.
Now they're loose in the U.S., and Kitty wants to track them down before officials do. She hopes to 're-humanize' them. The officials just want them ... gone.
As if that's not enough, she's also being sued by a convenience store franchise owner who's ticked off that she has implied on her radio show that his chain is attracting, shall we say, occult nastiness.
If this is a standard example of the series, it's a good series with well-developed characterizations. People are not necessarily all good or all bad. Even the ultimate rogue werewolf has his reasons -- not that they excuse his behaviour. And she explains the behaviours of the other members of the rogue pack in well-informed terms of lupine behaviour: wolf packs are highly organized, and the social order is extremely important. So what happens to the pack when the alpha male disappears?
Besides the human viewpoint, Vaughn also frequently attempts to give us a wolf's-eye view of things -- the view the werewolves have after they transform.
Overall it sounds like an intriguing series and one worth following.

Ghost of a Chance

Wednesday, February 16, 2011
Supernatural mystery novel written by Yasmine Galenorn
How would you react to a translucent figure hovering over your bed in the wee hours of darkness?
If you’r
e like most people, it would probably involve a screaming exit from the bed.
For Emerald O’Brien, however, it’s just an annoyance.
Emerald, divorced
mother of two children and a lifelong psychic trained by her “Nanna,” runs the Chintz ‘n’ China Tea Room (“Not Tea Shoppe, with the cutesy extra pe, but Room”) in the small town of Chiqetaw, Washington. Recently deceased romance author Susan Mitchell can’t speak but she can write ... her name and her plea: “I was murdered by my husband, but nobody knows. Help me.
The official report says Susan died after slipping into a diabetic coma. But she was hospitalized four times in the previous year for low-blood-sugar seizures, which suggests a certain sloppiness on her part. Susan later appears to Emerald's son, Kip, followed by something dark, formless and evil.
Ghost of a C
hance is the first of what is often called the ‘Chintz ‘n’ China series’ which features Emerald O’Brien. I enjoyed it well enough. It’s well-written with a good pace and I found the characters believable. Emerald struggles with problems common to divorced mothers everywhere -- including a disappearing and deadbeat husband.
However, I have to say it's also a fairly light read. I didn't find it to be the type of book that grips you to the point of letting dinner burn because you can't put it down.
Still, I like the addition of the supernatural -- the real thing, not a prank gone wrong. It adds a twist to what might otherwise be a basic mystery story.
It's not every day that a murder victim comes in person to plead for justice.